In Sofia, Bulgaria, I walked past this bar at night, a marvel of roundedness? Click here for more rounded entries on WordPress!
In Sofia, Bulgaria, I walked past this bar at night, a marvel of roundedness? Click here for more rounded entries on WordPress!

According to the tourist information, the small town of Adare (/æˈdeɪr/; Irish: Áth Dara, meaning ”ford of [the] oak”) in County Limerick, Ireland, is one of Ireland’s prettiest towns.
When we visited, the weather was, as I guess the weather is most here, rainy with short glimpses of sun. And the village is pretty – with thatched roofs and brightly coloured houses. About 3000 inhabitants, so I felt rather at home – the same size as the village I live in. Above is the main street.
Despite the rain, we ventured out towards Desmond Castle, on the north bank of the river Maigue. And we were lucky – the sun came through!
Looking through my photos from Ireland – I found an old abbey I had not posted on. I am convinced there were not many visitors, as we only saw it from the car. We were looking for a nice place to have our evening picnic – I wanted cows and my husband wanted ruins – and we found the perfect place!

To get there, we had to park at the church, climb some fences and walk a straight gravel road over the meadows with grazing cows. Just my thing.

I wondered how this abbey had looked when new – it was still impressive out there in the middle of all the green. Not much sun, but we had our fruit and sandwiches sitting on the ground against the wall. The Irish landscape offers never-ending glory.
The farewell was accompanied by the most gracious crowd (in the header), and lastly by a lone beauty standing by the road. I really have to go back to Ireland – soon.
A last ray of sun…

This is a fun photo, playing with forms, shapes and colours—both natural as part of the room we look into as well as indirectly and as a juxtaposition in the mural on the wall in the back of the room. I think your framing is enhancing the playfulness in the room. You have a frame with in a frame by looking through a opening between two rooms, and not the least you have included a tiny bit of a red box to the right—probably a piece of furniture—and the blue seat to the lower left. It ends up being a composition with primary colours (from a traditional painters palette and not the additive primary colours), respectively yellow, blue and red. In contrast to all these geometric shapes, we have the organic forms of the people sitting in what is obviously a café. In fact, there is a hint of a fourth person around the column to the right. I like the smiling expression of the face of the woman obviously in conversation with this fourth person. It’s a little pity that the woman behind her, all the way towards the rear wall, is in her face, so to speak. Some separation between the faces would have made both of them stand out more clearly. You could have accomplished this by moving to the left, but then you would have left the bit of red furniture to the right out of the frame. The best thing would have been to await the situation, wait until the two faces had moved away from each other (but then of course you might have lost the smiling expression I mentioned before). One more detail: I think I would crop off a little bit of the yellow support in the upper part of the photo. Give it a try, at least this is easy to accomplish. In the end this is another captivating photograph.

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For Paula, at Lost in Translation – my fall is an underground one. Maybe not that beautiful, but at least special…
Why do many/most people like…frames? (Or maybe not?) And what defines a frame?
This window photo displays some frames – photographed when I was looking out of my own hotel window. I like it, despite its drabness and ordinariness.
Many city windows look just like the one above…or like this one…
But a frame does not have to look like a window frame or a door frame…or a painting frame – it can be…different.
How many frames can you find in this photo?
And frames can be – very different!

It can stare at you in night light…

…or give you an irregular, sunlit moment.

So – what do you think about frames? Are you a compulsive frame user, or not? Do we need them at all?
For a couple of weeks, Otto von Münchow kindly shares his expertise if you want an opinion about a picture – here is mine. Some suggested changes are not possible, the shot was situational, but the cropping is. So, I have followed his advice, and by comparing the photos you can see the difference it makes. I attended one of Otto’s online courses this summer, where he also stressed the importance of waiting for the right moment. I will have to practice that more… Thank you again, Otto!
Hi Otto! This is a photo taken in a cafe´in Lodz, Poland. I loved the colours and the people there, but how do I make the best of it? Thank you for taking your time and skills for this!