Ritva says: ”We work so hard to learn the photography rules, at least I do but now it is time to BREAK them!! The problem is just that in order to break a rule, you must know that there is a rule in the first place!” And, as I used to say to my Swedish language students: You have to learn the rules first – then you can break them with style.

I included a short composition map, but I will also try to break some other ”rules”, (like not having a sharp focus…).

Many of us recognise these, or at least a couple of them. But do we use them? Like Ritva said, I think most of us use our instinct and emotion – and we get it ”right” that way too. So, Ritva, I’m ready to try and break some rules!

Framed – but a blurred object. Who is this? We still recognise the silhouette… so familiar to many of us. A (black)bird.

Tilting the camera for a more interesting and playful photo. I didn’t fill the frame – Empty space?

B&W for contrast – a double rose with focus in the middle.

ICM and irregular repetition, still there is rhythm and balance.

Differently framed, low perspective. No rule of thirds. It works because of the big umbrella leaves with interesting patterns and colours.

Going low with a moving object – not so good! I fell over of course – Milo is a too loving guy. Just seconds before this he was snoozing relaxedly in the grass. Let sleeping dogs lie…a good rule to follow.

For once I photographed letting go of the rule of odds – but there wasn’t any other option – these two were made for each other.

Looking through some photos with objects, I mostly had odd numbers in the pictures. I believe my two most used ”rules” must be the rule of thirds and the rule of odds. But they come intuitively – it just looks best that way! (Or – maybe I have known that for so long that it feels intuitive?)

Last week we enjoyed so many creative and cinematic photos with Sofia’s challenge. So, time to continue on the same track this week! Next week, it’s Egídio’s turn to host on Saturday, May 10th—hope to see you then! In the mean time, stay kind and keep smiling. Make someone’s day a little brighter – I think that is just what you did, Ritva!

Ritva is giving us a real treat this week – showing how to use the background to enhance our compositions. What makes your subject shine? A good background is essential to any picture.

Please visit Ritva’s beautiful site for more inspiration and examples!

I will choose some of my favourite techniques for the background to enhance the subject. Backlit late evening poppies create a positive, soft blur around the flowers. This is clearly one of my favourites as I often photograph insects and flowers.

Using negative space is efficient to highlight your subject against a minimal background. How lucky was I to see a woman in RED walking down the stairs when I had my camera ready?

We can harmonize or contrast colours for visual impact. Here I wanted to enhance the filmish feeling by using B&W.

Colour harmony again –

– to the left a totally green picture with an interesting, overgrown branch, and to the right the old red train running in the contrasting green surroundings.

A picture within a picture is something I really like. There are two from Japan, the first one in the header and on the left side here another one. We see a gardener talking to a young woman about ”his” garden while admiring it from the terrace. The picture filled staircase was photographed in a Danish castle, where you also can see another room through the window. There is much going on in this scene, but I decided to use it all in my image.

Lastly, two pictures from Tokyo Sky Tree, the first one taken through the framed glass floor and the second one where the city is set between window frames. In both cases, the subject is shining because of its dark surroundings. This applies to the header image too.

As I started with poppies, I will leave you with a poppy too – an enchanting flower. For this one, I was down on the ground and getting close. Deapth of field and back light make it stand out.

Last week we dwelled in the world of connections with Donna as our guide. We got lovely interpretations of connection, and many of them I had never even thought about!

A big thank you to Ritva for an innovative and excellent challenge, and be sure to link to her original post and use our tag. I am already looking forward to next week’s challenge with Egídio. Join him Saturday 12:00 EST to enjoy his beautiful photography, through Brazilian eyes.

John leads the challenge this week, and wants us to focus on the importance of Shape, Form, Texture and Light in our compositions. I guess most of us do, but without thinking about it. This tunnel in Eze, France, is smoothly showing off all these aspects. I simply take photos of what I find a beautiful view.

John suggests we choose to highlight one or more of these aspects, and present one or two of our favorites. We can decide to focus on only one aspect or include examples of all of them. I thought I would focus on my favourites, texture and light – but found I had some examples for all four of them. Some more of the latter though…

As John points out, the difference between shape and form can be difficult to decide, but artists typically consider shape to be two-dimensional while a form is three-dimensional. This picture above shows a shape of a house that has been stripped of its form. You can still see where the walls and staircases once was.

A house like this would represent a form – a square house in the middle of a square in a little town in Switzerland.

I too, find flowers to be one of my favorite organic forms as subjects for my photography. Cherry blossom in my garden is what I long for right now – but this rare orchid was a real treat on our short trip to Menton.

There are many unique textures created by the elements, and right now I want to highlight magma and lava – as there is an ongoing volcanic eruption in Iceland again. Lava formed to solid rock makes fascinating textures. My picture is from the Galapagos Islands.

Photos wouldn’t be possible without light, and capturing light is what photography is all about. Personally I prefer natural light, and will not use the flash unless I am desperately forced to. Which is…almost never.

You can find light everywhere – in the air, in lamp light, sun rays, grasses, glow worms, reflections in water, stones, rails… Backlight is a lovely favourite of mine.

Finally, a Morocco favourite from the small, colourful alleys in Marrakesh.

I am always waiting for some magical light….but, I seldom get it as I live far away from the sea. I feel the light there is often more magical than elsewhere. Except maybe for the desert. Every time I go somewhere close to a lake or the sea, I use some mornings and evenings waiting for ”that” magical moment. The fiery sky photo in the opener was captured on my recent visit to Nice.

Last week, Ritva challenged us to do some Window Shopping – a big thank you for a fun and interesting challenge! I realised I never do this unless I go abroad. It also brought new insight into other cultures and people’s interests. Next week, it is my turn to be your host for the Lens-Artists Challenge. Until then, take care and be kind.

Be sure to link to John’s page if you are participating, and remember to use the Lens-Artists tag. If you’d like to respond to our challenge each week and want to know how to get started, click here.

Tina wants us to show how we can make a forgettable image into a favourite one. She demonstrates it beautifully with several examples. It is a joy seeing the process from start to results.

I will take this opportunity to show something I recently found in Photoshop – a possibility to change the skies in a photo with almost one single click.

So, why would I want to change skies in my photo? Well, since I don’t photograph in RAW, it sometimes happens my sky is blown out in white light, which makes it impossible to normalize in any of my software.

I realised only two weeks ago, that Photoshop now had this simple feature, so I wouldn’t have to go a long and tricky way to make the change. Suddenly this seemed worth a try, and I knew just which photo from the Galápagos Islands would make a good model for it. I had always felt a bit sad about the miserable sky in this picture, but could not discard it because it showed so well the spectacular landscape of just that island.

We hope you’re willing to share similar experiences demonstrating your use of editing to improve results. Please remember to link to Tina’s original post, and to use the Lens-Artists tag.

This last picture many of you might recognize, it was taken in Jämtland some years ago. Using the swirl it turned out rather a favourite!

We very much enjoyed your responses to Amy’s “Photography Journey” challenge last week. It was great fun to follow you from start to where you are today! We are also excited to announce that next week’s challenge will be hosted by Sheetal of Sheetal Thinks Aloud. Be sure to check out her interesting blog and watch for her post next Saturday. Until then, stay safe and be kind – to yourself as well.

Amy writes beautifully about her photography journey, and asks us to say something about our own journey with The Camera. Personally, I started out some 50 years ago with a Kodak Instamatic. 24 photos possible, and expensive they were. I wasn’t hooked… being a school girl with no income of my own. I stayed with my binoculars and forest birds. But I kept dreaming of maybe some day…

When I met my husband to be, who was a keen photographer, he had a Canon, a ”real” camera with several lenses. And he made diapositives. When we started traveling more extensively, I thought it would be too expensive with double up of everything. So, I gave up photographing – something I have regretted many times…I have no photos from countries like Egypt, Nepal, Peru…

The other obvious targets were my two dogs, Mille and Totti. Mille was my first Lagotto. They all have their own special pages on my blog. My newest little one as well, Milo.

With the children came my first ”real” flirt with a camera. My husband bought a film camera, and I ended up with a Nikon D40. Second hand, but it worked well. (The whole New Zealand (LAPC #53) tour was photographed with the D40, and so were almost all of my students.) After some years, I upgraded to a D7000.

Today I also have a Fuji camera – much less weight to carry… My faithful Nikon is mostly left on the tripod for macros. I dearly loved the little Canon IXUS – slim pocket size and splendid sharpness. (Forwarded to my daughter now…) It was a ”dogwalk camera” – steady enough to work with one hand only. A phone must be handled with both hands – at least if you have two dogs. But remember – The best camera is the one you have with you.

The only course I have managed to squeeze in so far is ”Find your photographic voice” for Otto von Münchow. An online course where I learned more about both camera settings and how to ”think” and find my own style. I am not much into the tech part, so this theme was perfect for me. I would love to attend more courses, but with old parents, two dogs – and a grown man to ”take care of”… this is not easily managed.

When I try to sum up what has meant the most for my journey, I find it must be CHECKING OUT PHOTOS made by photographers all over the world. Learning from Your photos, experts’ photos, (Lens-) artists’ photos. I visit galleries, I use good books, I roam the Internet. And I love Lightroom and Photoshop to play around with. Lastly, I must not forget my husband, who patiently has been driving the car, walking the dogs, holding my things…

I am a bit envious of some of you, because I know you have friends to go out shooting with. I believe that must be wonderfully enriching – as feedback moves you forward and stretches your abilities. Otto and my son have been important in helping me do that. My son, David, is a very good photographer and graphic designer. Some of you know he has been a guest here two Thursdays with Chernobyl and Exploring the Unknown.

Finally I want to send many grateful thanks to all of you who contributed with such tremendous variety to Striped and Checked last week! – I never thought there could be so many different possibilities! So, this week we hope you will join us again, and we look forward to seeing your creative photos and reading about Your Photography Journey. Please link to Amy’s original post and don’t forget the Lens-Artists tag.

Next week Tina will present us with “Before and After” We’ll be asking you to share images that didn’t quite live up to your expectations together with your final versions after editing them. Until then – stay safe and be well. Stay close to Nature if you can, and communicate with mockingbirds – just like I do…because if something is promoting a photographic journey, it is love of what you are doing, and in my case – Love of Mother Nature.