
Wordless Wednesday


Many of us love reflections and shadows, and many of us photograph them frequently. I am one of them. This week Patti has challenged us to show some of our images in monochrome. Shadows and reflections are even more mysterious and enigmatic then, as you will find them changing our perception of the image. Some images more than others, but, they all draw us in for new lines and details, new perspectives.
I have always preferred the reflection of the life to life itself.
– Francois Truffaut

Art is a direct reflection of the life you live. What you experience comes out in your work.
– Dianne Reeves

Glass reflects light in different and special ways. This glass piece from Kosta Boda was displayed on fur – very attractive and innovative opposites.

A visit to Library of Water in Stykkishólmur, Iceland, will give you another perspective of water. The reflections of the outside world as well as of the inside of the columns show how water refracts light differently.

Tblisi at night by the fountain cascades. Water, water everywhere!

Lodz, Poland, Light Move Festival.

A feast for the eye.

I found these fun shadows at a vineyard east of Porto, Portugal. These two containers were so big, that you had to have a ladder and a bridge to use them.


A garden is a reflection of you, it’s your presence in the world.
– Julie Newmar
This week, Patti is challenging us to show photos with reflections and/or shadows captured or processed in monochrome. ”Feel free to process your image in different shades of blue, green, brown, or gray. You can also shoot your image in a setting that’s predominantly one color–like a blue sea and sky, for example.” Be sure to include a link to Patti’s original post and use the Lens-Artists tag.
If you’re new to LAPC, here’s a link that explains how to join us.
Last week we had a lot of messages… Donna’s theme–Messages. You found them everywhere–in nature, on buildings, at home. A special thanks to Donna for hosting a lovely challenge.
Next week, it’s Amy’s turn to lead us, so be sure to stop by her site on Saturday at noon EST. Until then, I hope you have a week filled with joy, inspiration, and photo opportunities!


I just wanted to send you some winter magic we found along the road last week.

It was darkening fast, so – the quality might not be perfect…

…but who can just pass by these without stopping for a photo?

We went to Mosseberg spa resort for a couple of days. A charming area, and we had some snow too. Relaxing.

This resort was built around the middle of the 19th century, and still has those typical villas of those days. Some of the old houses are now private and not possible to visit. They still have their ”Carpenter’s joy” and built in tile stoves.

This is the main building, where we rented a beautiful room. Walking through the house we found several doors with famous people’s names on them. They had all lived here in periods of their lives. Our neighbours were the author Albert Engström and the next door had Madame Kollontaj’s name on it. She once was a Soviet ambassador, pacifist and feminist.





Mosseberg is a beautiful resort in any season, and I would love to see the park in Spring too.

Annes challenge for us this week is to take a lens for a walk. Yes, to choose a lens and walk. We can also use our cell phone or point and shoot camera. Another trick, when using a zoom lens, is to pick an aperture and stay with it. It is of course also possible to go for our archives. The important thing is to have fun! Remember to link to Anne’s original post and use the Lens-Artists tag.
I usually walk with my Fuji 16-80 lens, or my 35 prime lens. But my absolute favourite is the Tamron 90 macro. It is not a coincidence that my blog is labelled with a quote from William Blake: ”To see a World in a Grain of Sand…” The complete line goes: ”To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour.” To me, this is the essence of Life.
As there are very few flowers and insects to photograph right now, I have chosen some of my old macros to show the different possibilities of this lens. Close-ups and macros yes, – but you will notice it is very versatile.



For macros I normally use f/11, but f/8 – f/11 works fine. I always use a tripod, and that is why most of my macros are shot in my own garden. I don’t carry a tripod on my walks. Not only because of the weight, I want to feel free. And, I often have my dog, Milo, with me too. In the beginning I tried to hand hold the camera, but there were too many photos to throw away, so Milo and the tripod are two of my best friends.








Droplets and frosty petals are always a treat, but even with flowers and other subjects that often don’t move much, I also use the timer in order not to risk accidental camera movements while pressing the button. The photo with many droplets, to the left in this gallery, was hand held. When I don’t take close-ups or macro with the lens, that works fine.

When we get really close, like in the first and the last picture, and the roses, the photo turns almost abstract. Other worlds open up and lets our fantasy work magic.
We enjoyed looking back with all of you during Sophia’s challenge last week. You sent us unique and interesting responses – some surprising ones too. Now we are looking forward to seeing your one lens walks!
Next week our new team member, Donna Holland of Wind Kisses, will be leading the challenge. Be sure to visit her beautiful site for inspiration!
If you would like to participate weekly in our Lens-Artists Challenge, click here for more info.


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